A recent news report told the story of 3 young Vloggers (I guess that means video bloggers) who decided that climbing to the top of a waterfall in British Columbia and recording from the edge would be a good thing. In a tragic accident, all three died.
It seems you can develop a huge following and make a lot of money by throwing risk to the wind, going where or doing what you shouldn’t and recording your exploits. Post the experience and you are almost guaranteed a following. And in this modern world, the interest is instant, with the post potentially spreading worldwide in minutes. Instant stats on views and likes encourage the next big trick, the next even more daring stunt. Continue reading “How Far Would You Go?”


I’ve been hearing and reading quite a bit about this thing called computational photography. It is such a new field that what’s in and what’s out, or even the language with which it is communicated, is not yet well defined. But it can be applied to any form of optical capture, whether in the science lab or in the artist’s studio.
That said, there is both artistic and practical value in marking a photograph as yours. This post looks at some of the more popular ways to do that.
I come from a generation born before televisions were common in middle class homes. We relied on a radio for news and our only “social network” was the people we knew in the neighbourhood, at school, through our parents or through our church. Getting your name out there was done by word of mouth and by advertising on the radio and in the “yellow pages” or other print publications.
Experienced photographers who share their knowledge with new photographers spend a lot of time talking about composition and the “rules”. Leading lines, rule of thirds, negative space, etc. help to teach the eye what to look for when evaluating a scene. But they don’t spend a lot of time talking about why these rules matter at all.