I’ve decided in 2021 to step out of my comfort zone and try new things. Why? The residue of 2020 and its horrible effect on my well-being, plus the fact that in 2021, I will officially become a senior citizen. Both have been and are scary. But in some way, both have inspired me to fight back. Getting older reveals obvious changes in body and mind, and I want to control both of those if I can. My biggest fear, revealed only to all of you, is that I might start to lose my rationale self, lose my curiosity about the world and start to forget people, places and events. There is a history of that in my family. I can’t have that happen. What better way to address that than to try new things, learning as I go, keeping the mind fresh and tuned. So what’s the plan? Continue reading “Jumping Into the Deep End”
Not quite what you expected? In the northern hemisphere, Fall is typically about shutting down, about returning to routines that don’t include time at a vacation home or sunlit walks in shorts and a floppy hat. We begin to cocoon, bringing in our lives indoors, at least more so when it gets dark 4 hours earlier.
But Fall is also about renewal of the craft of photography. Myriad trade shows, new gear releases, new software releases – everything to tantalize the tastebuds for next season. I’m less caught up in this than I used to be, but still find some of the new developments fascinating. Continue reading “Fall is About Renewal”
Whenever I look at a new camera (purely for interest these days), the first stat I normally read is the megapixel count. There seems to be a lot riding on this one number, as though it somehow conveys the quality of the images you will obtain and the performance of the camera in different conditions. We’re also taught generally that bigger is better.
Sony recently announced its 61 megapixel flagship. 61 megapixels is surely “better” than the 24 megapixels of my Fuji or the 20 megapixels of my aging but trusty Canon. On all counts, nothing could be further from the truth. Here’s why. Continue reading “How Important are Megapixels?”
I was in my local camera store the other day. I was purchasing a small speedlite unit to use on my mirrorless camera. Yes, on-camera. In a twist of fate, in walks in a colleague from my local camera club, same flash unit in hand. We chatted with the salesperson, also a friend.
My colleague then said: “I’m bringing this flash back. It doesn’t fire consistently.” He demonstrated the problem, with the unit set first on TTL mode and then on manual mode while attached to the hotshoe on his mirrorless camera. He was right. Without changing camera settings, sometimes the speedlite would fire and sometimes it wouldn’t. He returned the unit. But it got me to thinking about how the speedlite and camera work together and how to make sure they always work when needed. Continue reading “On Camera Flash – Making It Work for You”
Travelling on assignment or for personal interest is typically a big part of most photographer’s lives. The challenge of managing gear – taking enough, but not too much – is always top of mind. But what about managing your images while you are on the road?
With a bit more travel in my future, I wasn’t happy with a strategy that worked well for day or weekend trips, but wouldn’t work for longer absences. So, I started looking at alternatives. Here’s what I found. Continue reading “Backing Up Your Photos on the Road”
Last year around this time, I put out a piece on storage options, both online and local, for the vast collection of photographs that we are all accumulating.
Although I use cloud storage as my primary storage option, most of these services “sync” at least some of that content to a local hard drive. Until today, that hard drive was my computer hard drive. But I’ve now run out of room on the local drive, and had to make a choice about where to put the local copies. Here’s what I came up with. Continue reading “Leaving the Mothership”
Update – Aug 2020: I’m happy to note that Fuji has significantly improved their focus stacking option by providing “automatic” focus stacking in their most recent cameras. You select a starting point, ending point using manual focus, hit start and the camera will collect the right number of images for your lens and focal length. Really cool.
Happy New Year. Hope your holiday season was fabulous.
This post is specific to Fuji users, so everyone else can have a break. We’ll see you in a couple weeks.
In mid-2018, Fuji provided an upgrade to the firmware of it’s X-series of cameras. Known for adding new features and functions, Fuji users were delighted to see the addition of new menu options and one particular update: the addition of in-camera focus “bracketing”.
Unfortunately, there was a series of missteps with the upgrade and it was initially retracted, then re-released, which is a surprise for a company that prides itself on its quality options for photographers.
Even though it was corrected, Fuji made another mistake in not providing useful information to help us get the most of the upgrade. This post is specifically about focus bracketing. Continue reading “Fuji’s Focus Bracketing Explained”
As most of you know already, Nikon launched its full-frame mirrorless cameras on Aug 23/18, revealing two models that will appeal to both pros and hobbyists alike. Priced respectively for those markets, the pro model will be available in September and the consumer model in November.
This isn’t a review of that equipment. You can get a very good overview of the offering in the great article by M. Zhang from Petapixel.
What struck me as I watched the launch was just how hard Nikon was struggling to differentiate this product from the offerings already out there. Perhaps it was the English translation, but “redefine possibilities” and “new light…to pioneer the future” left a lot to be desired as to why I would buy this camera over any other. Continue reading “And So The Battle Begins”
Another short presentation to my local camera club. This item was on activating, reading and responding to the histogram.
One of the greatest advancements in photography has been the invention of autofocus. Simply by pointing your camera at a subject and pressing the shutter halfway, the camera will not only meter the ambient light, but bring the main subject into sharp focus.
As with most things photographic, there is theory and there is practice and sometimes the two don’t mesh exactly. Here’s what I’ve learned about autofocus. Continue reading “A Focus on Autofocus”