Does your photography move you emotionally? Do other people comment on how it moves them? Is there a “wow” factor?
Experienced photographers who share their knowledge with new photographers spend a lot of time talking about composition and the “rules”. Leading lines, rule of thirds, negative space, etc. help to teach the eye what to look for when evaluating a scene. But they don’t spend a lot of time talking about why these rules matter at all.
I can only find one answer: it’s an effort to disrupt the composure of anyone who views the image. To get a reaction. Most often positively, sometimes with delight, and sometimes deliberately negatively. The “rules” provide a roadmap for the senses, and by extension, for the emotions. To be truly successful as a photographer, you have to tap into that emotion – yours and your viewers.

As with most things photographic, there is theory and there is practice and sometimes the two don’t mesh exactly. Here’s what I’ve learned about autofocus.
The start of a new year. Time to consider shaping up – not only personally but maybe for your photography workflow. How can you do things better? At the very least, you’ve probably accumulated a huge amout of content this year. Are you running out of storage space? And are you safeguarding your work appropriately?
And then what do we do? We turn everything off and shoot completely manually, because “that’s what pros do”. Think about that for a minute. Does that make sense to you? Give your head a shake.
A watermark is an identifier that sits overtop of some portion of the image. It is usually semi-transparent. The identifier could be the photographer’s name, their business name, or a combination of both. A copyright symbol and year might also be included. These labels might be simple white text or more elaborate logos and fonts. They are most often placed in a corner of the image, but sometimes can occupy more central space. Text sizes vary, but most are unobtrusive, aiming not to interfere with proper viewing of the image.
It’s been a long standing complaint that Adobe Lightroom is frustratingly slow to load and display images, particularly previews on import or previews when switching from Library to Develop. Adobe promised to deal with this issue, going so far as to release a