I suspect we will see a release shortly of Luminar AI, one of the most revolutionary photo editors to emerge in recent years. There is a special event scheduled for December 10. So I thought it appropriate to offer a commentary on the controversy surrounding AI in this week’s post. Controversy, you say? Read on.
It seems that everyone is weighing in on the move toward more and more machine-powered editing choices, also known as artificial intelligence or AI-based editing. What surprises me most is the number of commentaries where the writer admits to never having seen the capabilities being criticized, but the mere thought of machine-powered functionality must invariably mean both loss of control for the artist and cookie-cutter results.
I am not in that category. I have watched with glee and eager anticipation as companies such as Adobe and Skylum and ON1 embed more and more intelligence in their products. I have concluded early that there is no loss of control at all: nothing could be further from the truth. Continue reading “AI AI, Oh”


Skylum announced the upcoming release of Luminar 4, scheduled for sometime in the fall. Originally released in 2017, the company and the product have gone through some interesting evolutions.
I’ve been hearing and reading quite a bit about this thing called computational photography. It is such a new field that what’s in and what’s out, or even the language with which it is communicated, is not yet well defined. But it can be applied to any form of optical capture, whether in the science lab or in the artist’s studio.
But the consumer revolution left Adobe a bit behind, with savvy semi-pro and enthusiast photographers looking for image editing options that were reasonably priced and didn’t require a college degree. To Adobe’s credit, they saw that demand and Adobe Lightroom was born. But recent moves to subscription services and releases of updates users didn’t want have set them back a bit. Room for others to step in? Now we have a new player in this arena – MacPhun’s
As a relatively new user of the creative suite of tools, particularly those tools devoted to photography, I’ve had to adjust the way I learn and adapt to new software in order to get comfortable with these products. Here’s why.