Hello and Happy 2022! Hope you had a pleasant holiday season and were able to enjoy it with family and friends, despite our ongoing Covid challenges. As mentioned previously, I spent the holidays working at a camera store and thoroughly enjoyed the experience. But now it’s back to my photography. I’m dedicating myself to it this year, and hope to show much more new work shortly, so stay tuned.
But learning continues to be a focus as well. I thought I had heard of almost everything to do with photography – yes, there might be some obscure piece of equipment I had never heard of, but in terms of genres, I thought I knew it all. Not so. Listened to a great podcast driving to work about a totally new (to me) genre called “vernacular photography”. What is it? Read on.
Continue reading “Vernacular Photography”
October is a wonderful month in so many ways. Cooler temperatures, changing scenery, more exciting landscapes top my list. But it is also a month for new and exciting technology. Many photography companies, whether hardware or software producers, release new products and new updates to existing products. This month has been ridiculously full of pent-up demand for new stuff and the manufacturers did not disappoint.
This article won’t review all of that. Many blog and vlog posts have already done so. Instead, I want to talk about one feature nobody seems to have really highlighted. Last week, Adobe released the latest versions of Photoshop and Lightroom, to much fanfare and focus on its superb and enhanced capabilities. The new masking tools are phenomenal. You can also do more and more with automation and “neural filters”, and even drop in assets and have them automatically be absorbed and “harmonized” into the scene you are creating. But there is even more for you to know.
Continue reading “Verify Your Identity”
I consider myself a photography geek. I love the technical side of photography. Learning about how lenses work, the reasons why aperture, shutter speed and ISO contrbute what they do to image quality, different sensor designs, the technical differences between full-frame vs. crop sensor, etc. etc.
And more than seven years into this full-time journey, I thought I had heard most of the explanations about why cameras work they way they do. I get it. I can explain it. Even as new technology is released, I revel in doing deep dives into that too.
Of course, I should state that none of this helps the artistic expression in my photography nor will reading this article help your artistic expression. But it does lay the groundwork for quick decisions about how to possibly achieve a specific artistic effect. For example, to get that creamy bokeh, I know I need to do x, y, z. So, to be clear, knowing how your camera works isn’t the be all and end all of being a good photographer. But it will get you part way down that road.
That said, I find it fascinating when I run across a technical fact that I didn’t know. That’s what this post is today.
Continue reading “Let There Be Light – The Truth About Crop Sensors and Lenses”
Mid-December. Last blog of the year. Early darkness and grey, usually rainy days. Nothing to be glad about. Except that this year is coming to a close and Covid-19 vaccines have just been approved for both Canada and the US. This crap will soon be behind us. The only reason to rejoice. But you know what would be worse? Not adhering to public health measures, getting sick and dying a few weeks before you are scheduled to get a vaccine. That prospect should really make you determined to stick it out. And it would really really make your family angry if it happened. So don’t drop your guard now. Just a few more months. Hang in there.
And while you hang in, a little treatise on photography. There are many confusing concepts in photography. When I find one, I research it, then share it with you, hopefully making your photography life easier in the process. Today’s choice: colour, specifically colour profiles, colour gamut, the choices available and why one choice is better than another (or is it?). Read on to find out. Continue reading “The Full Gamut of Emotion”
There was an article this week from a Japanese market analyst who argued that competition in the camera industry is leading to the decline of the camera industry. He cited the announcement of Olympus recently who have shut down/sold off their consumer camera business.
I have only one reaction to the story. Duh! Continue reading “Competition is Bad?”
I can’t resist commenting on the release this week of Canon’s new mirrorless flagship cameras, the EOS R5 and EOS R6. There are lots of technical commentaries out there; instead, I want to document how I felt listening to the details of the release. Continue reading “Jumping into the Deep End”
I don’t usually spend time on product reviews or the hype around new products, but this one caught my eye – the release of ON1’s latest software and a new service called ON1 360.
One of the most frustrating aspects of photography for me has been the inability to manage and edit photographs on a variety of platforms, when and where it was convenient for me.
Desktops are becoming more and more powerful, but who wants to sit in front of one for the day. In this age of needing minor pleasures, it would be awesome to be able to manage and edit my photographs on my patio, with a cold drink beside me. My iPad has more than enough capability to do that – it just needed the tools. Continue reading “ON1 360 Released”
I’m becoming more puzzled and concerned about new products released by hardware and software companies that invariably get poor reviews and need to be “fixed”. We’ve seen that lately in the Apple 15 inch MacBook Pro (which has been “fixed” by the 16 inch released Nov 15/19). We’ve seen that in Skylum’s Luminar 3 (which as of this writing, has been “fixed” by Luminar 4, released Nov 19/19). We’ve also seen that very recently in Adobe’s Photoshop for iPad, which as of this writing, has not yet been “fixed”, after having been essentially trashed on its release in Oct. First-release mirrorless cameras from Canon and Nikon both needed firmware “updates” (i.e. fixes). And lastly, ON1’s Photo Raw 2020, released in October, seems to have a bug that causes it to do what should be background file management tasks in the middle of a photo edit, preventing any meaningful work from getting done. As of this writing, that has not been “fixed”.
There seem to be four main factors contributing to these problems. Continue reading “We Can Fix That”
A bit late with this post. It is summer, after all, here in Canada.
A couple of new announcements in July caught my attention because I use both products but also because they are clear examples of the changing face of photo editing.
Skylum announced the upcoming release of Luminar 4, scheduled for sometime in the fall. Originally released in 2017, the company and the product have gone through some interesting evolutions.
Topaz Labs released the next version of its Studio software, completely redesigning the interface, and redefining its associated pricing model.
Both products are standalone photo editors. Both products also provide plugin options for Adobe Lightroom and Photoshop. But that’s not what makes them interesting. Continue reading “The Changing Face of Photo Editing”
In the last three weeks, I’ve been the busiest I’ve ever been since taking up this interest in photography. Has it made me a lot of money? Sadly, no. But I’m still happy with the outcome. So what have I done?
Continue reading “My Busy Few Weeks”