
Perhaps the most puzzling trend I have seen in photography since I became immersed in it in 2014 is the rising popularity of film photography. The digital revolution essentially killed the still film photography industry in the 1980’s and 1990’s. Storefronts and labs closed, film production ceased, makers like Kodak essentially went out of business. But things have changed bigtime. There have always been the stalwarts that preferentially choose this medium. The puzzle is around young photographers or average non-photographer folk who now select this as their preferred way of presenting their creations. I have some thoughts on why this might be happening.
Continue reading “Film Rises Again”

It seems that everyone is weighing in on the move toward more and more machine-powered editing choices, also known as artificial intelligence or AI-based editing. What surprises me most is the number of commentaries where the writer admits to never having seen the capabilities being criticized, but the mere thought of machine-powered functionality must invariably mean both loss of control for the artist and cookie-cutter results. 
I’ve been hearing and reading quite a bit about this thing called computational photography.  It is such a new field that what’s in and what’s out, or even the language with which it is communicated, is not yet well defined. But it can be applied to any form of optical capture, whether in the science lab or in the artist’s studio.