
With the second year of Covid lockdowns and restrictions upon us, many photography professionals have turned to online delivery of presentations and workshops. Whole multi-day online conferences have emerged, bringing together talent from across the world. These professionals have innovated and adjusted, bringing what would normally involve hands-on guidance to the small screen.
As the Program Director for our local camera club, I have had two “challenges” arising from the lockdown. The first is providing meaningful events and entertainment to our club membership online. The second is finding ways to transfer knowledge when hands-on in-person options don’t exist. These new photography conferences would seem to serve both purposes amazingly well. Or do they?
Continue reading “Attending Online Photography Conferences”
It seems that everyone is weighing in on the move toward more and more machine-powered editing choices, also known as artificial intelligence or AI-based editing. What surprises me most is the number of commentaries where the writer admits to never having seen the capabilities being criticized, but the mere thought of machine-powered functionality must invariably mean both loss of control for the artist and cookie-cutter results. 
I’ve been hearing and reading quite a bit about this thing called computational photography.  It is such a new field that what’s in and what’s out, or even the language with which it is communicated, is not yet well defined. But it can be applied to any form of optical capture, whether in the science lab or in the artist’s studio.
