I recently listened to an absolutely superb podcast by Brenda Petrella, creator of the Outdoor Photography School. This episode was in response to several viewer questions about how much creative license is appropriate in landscape photography.
This has been a long standing debate, as you will see in Brenda’s piece – very long standing. Artists have been the subject of critical opinion for centuries. The difference since the invention of photography is that photography, by definition, is a documentary record of the light and colour in a scene. Its starting point, by definition, should be realistic. Or is it?
Continue reading “Realistic or Artistic – Which is Right (For You)?”
I read a lot of blogs, follow a lot of YouTube channels and subscribe to many “handy tips” postings that come into my mailbox daily. One such recent posting was from Tim Grey, a respected Photoshop expert and professional photographer.
Viewers had posted questions about the long standing belief that as you use lenses of longer and longer focal length, and compare the same scene shot through these different lenses, the apparent separation between foreground and background diminishes with focal length. In fact, this has been a long accepted “generality”, passed on from photographer to photographer, that scene “compression” occurs with telephoto lenses. But as with many things, the details get somewhat “blurry” (pardon the pun) and the specifics of the effect are often not explained. Continue reading “Scene Compression Uncompressed”