Creative Ideas at the Creative Lab

Yesterday, I dropped by the Canon Creative Lab in Mississauga where they were hosting Image Wonderland. This was an event showcasing Canon gear (of course), along with a number of sets with models and high end props (including a vintage Cadillac) where you could try out the gear. I’ve never been to one of these, and honestly did not know what to expect.

I’ve been a Canon fan-girl forever, and we were also encouraged to bring our own cameras and shoot away. Images could also be printed through the onsite Canon Print Shop for free, although this was confined to 4×6 prints for walk-ins, and 11×17 prints if you submitted them ahead of time. And there was a series of talks given by Canon Ambassadors, including Irene Rudnyk, Sal Balaji and Steve Russell.

What did I see and experience at the event? Read on…

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Why Edit Your Photographs?

Frankly, it’s a question I’ve never thought about. Ever since I starting shooting digitally, and ever since I became aware of software available to edit, I’ve edited. But I’m preparing a short talk for a group of hobbyist photographers and I’ve discovered that some of them don’t edit, have never edited and have never considered editing. I find that fascinating. We will talk more about why they don’t edit in a bit.

There is a long standing debate about in-camera skills vs. post-processing skills. From the early days of photography, and rightly so, it was decisions about framing, composition, exposure, and using natural light and shadow properly that determined the end result. I agree with that perspective and continue to refine my skills in-camera. But artists being artists, more options were discovered for adding a unique look, a mood or an effect to that end result. Today, the options can be almost endless, including AI driven editing technologies. So let’s explore that a bit further.

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Opening Your Mind on Opening Night

I’ve had the opportunity over the past few months to visit several galleries where photography exhibitions had opened. These openings were in no way related to each other: one showed historical/documentary work, one showed the natural world and one showed artistic creations supported by artificial intelligence. In two cases, the artist or curator was available to discuss the work as I wandered through it. Each was a wonderful journey. Let me telll you why.

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Visiting ProFusion Expo

Earlier this month, I ventured into that den of iniquity – the largest photo and video trade show in Canada, called Profusion Expo. It is hosted by retail vendor Vistek here in Toronto. It brings together vendors of all the major camera and video brands, and includes a myriad of special presentations from their ambassadors along with the opportunity to put hands on their latest equipment.

The retail marketplace has changed big-time for this market since Covid. Products are not refreshed as often, and when they are, the new releases are not available everywhere for customers to see and touch before buying. Anything I’ve bought in the last few years has been online or as a “pre-order”, sight unseen. One reason for my going to the show this year was to see what I could not see elsewhere. It did not disappoint.

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How Perfect is Perfect?

One odd thing I’ve run into in both daytime and astrophotography is the hunt for the perfect image. The number of photographers who mention it, speak about their quest for it, show their edits for it and either feel rewarded or insulted if others don’t share their views has always puzzled me.

The definition of perfect of course takes many forms. Here are a few examples.

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Changing Priorities

I love to write. I love to read. Have been that way since I was a kid. I would much rather read a well-written article than watch pretty much any show, video or online short. But sometimes, priorities change. I’ve decided to give a more concerted try to YouTube – to learn how to create visual media that will be informative and more entertaining. I’ve dabbled in it for several years, but am now stepping up my game.

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Image-ination

I went for a walk in the neighbourhood the other evening. It was a beautiful evening and I had to get out, if only to feel the late day sun and smell the air. Late spring air smells lovely.

I found myself stopping at various points along the way: watching a neighbourhood baseball game, greeting a neighbour out with his family, watching some kids skateboarding on the oval. And something unusual happened. I started taking pictures, without a camera.

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Get Real, OK?

There is a raging debate right now among pro and hobbyist photographers alike about where to draw the line when editing images. Of course, this stems from the other big debate around the role of AI (artificial intelligence) in photography, but comes at it from a different slant.

Some time ago, Samsung was accused of faking a moon image to demonstrate the new low light (or was it astro?) features of its latest smartphone. Samsung’s response was that nothing is “real” in photography anyway so what does it matter?

What does it matter?

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Teaching Styles – Finding the Right One for You

I love to learn. Have all my life. And the winter season is a great time to learn new things, since most of us are stuck inside.

I’ve been concentrating on two paths of learning this winter: astrophotography image processing, and architectural image processing. The first deals with doing the utmost to ensure good image quality and colour representation in the tiny objects photographed in the sky. The second deals with adding tone, contrast and artistic adjustments to architecture to turn them into works of art (beyond the work of art that the architect already produced).

Both paths have brought me in touch with several teachers, respected in their fields. But they could not be more different in their teaching styles. One of the challenges I’ve had has been finding a teaching style that gives me the right learning experience for me.

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Not in the Mood

This is a bit of a hypothetical discussion, as I am at home, recovering from surgery. All is well and I will be back on my feet in no time, but for now, I have to imagine what it would be like to live this topic that I am writing about. What is the topic? How our mood can affect our photography. Duh!

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