Why Edit Your Photographs?

Frankly, it’s a question I’ve never thought about. Ever since I starting shooting digitally, and ever since I became aware of software available to edit, I’ve edited. But I’m preparing a short talk for a group of hobbyist photographers and I’ve discovered that some of them don’t edit, have never edited and have never considered editing. I find that fascinating. We will talk more about why they don’t edit in a bit.

There is a long standing debate about in-camera skills vs. post-processing skills. From the early days of photography, and rightly so, it was decisions about framing, composition, exposure, and using natural light and shadow properly that determined the end result. I agree with that perspective and continue to refine my skills in-camera. But artists being artists, more options were discovered for adding a unique look, a mood or an effect to that end result. Today, the options can be almost endless, including AI driven editing technologies. So let’s explore that a bit further.

Continue reading “Why Edit Your Photographs?”

Knowing What To Do (with an Image)

Lots of articles are written about gear, editing software, and training for both.  Lots more are written about composition – rules and tips.  Lighting, time of day, angle, selecting the subject – all of these receive wide commentary from writers, vloggers and trainers alike.

PuzzlementI can shoot an image, I can even stage a scene.  But more often than I would like, I completely blank out when I bring the raw image onto the computer.  I ask myself – now what?  What’s the final look I want to achieve with this image?  How should I present it?

To those photographers who always know what the result will be, even before they shoot, I applaud you.  I’ve listened to photographers speak of their work in exquisite detail, outlining every capture and adjustment decision and why they made it.  I envy them.

I have friends who deliberately do minimal edits.  I have others who retouch to the point of the original piece serving only as a framework for a piece of art.  Frankly, I rarely like either extreme.  So I guess I’ve made my first decision – establishing a boundary around my edits.

Why is it so hard to know what to do next?  A few random thoughts come to mind. Continue reading “Knowing What To Do (with an Image)”

Photography as Art

ScotiabankApril and May are the traditional kickoff months for photography festivals in this area.  Many photographers, themes and collections are on display.  So many, in fact, that viewing all of their work is impossible, and isolating favourities can be challenging.

In a recent excursion, I participated in a discussion of photography as art.  The premise was that in order to be noticed, you can’t just be a photographer – you need to be an artist.  You need to give your photographs a distinctive look, a distinctive emotional connection to the viewer.  This means going beyond just documenting a subject – it means creating a work of art.  And this isn’t new – all successful photographers have realized and operated on this basis since the days of pinhole cameras.

Featured-ImageThis leaves me wondering.  If photography must be art to be successful, is there a point where a photograph is no longer a photograph?  And where is that line?  The answer isn’t obvious.  Here’s why…

Continue reading “Photography as Art”